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Johnson, once again playing the swaggering but gentle hulk, fares a bit better, because he is generally a more winsome performer. It feels lazy, like Reynolds is coasting on his Deadpool clout. It’s fitting that Reynolds should be the one to do the referencing-as his character nods to lots of other old things, like Pulp Fiction and the way Borat says "nice." These irksome little non-jokes ( Remember that thing?) aptly represent Reynolds’s grating performance, a schtick that’s seriously diminished in charm since Reynolds first trotted it out over 20 years ago. A globe-trotting heist film that heavily relies on zippy banter, Red Notice never finds its groove, instead jerking around between familiar action sequences and humor that never lands. It’s an experiment that Netflix reportedly spent $200 million to run.Īlas, Red Notice is limp and dull, and does more to showcase the shortcomings of each of its marquee idols than it does to highlight their bankable charisma.
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The experiment of Rawson Marshall Thurber’s film is to see if their respective styles can meld together into something that may kick off yet another franchise. The stars in question are Dwayne Johnson, Ryan Reynolds, and Gal Gadot, all actors from the franchise world. In that, Red Notice serves as a reminder that, well, they just don’t make them like they used to. But it is indeed a film from and for the here and now. That setup makes the new film Red Notice (Netflix, November 12) sound like some project from the late 1990s, before IP became the selling point and actors more incidental.
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Three of the biggest movie stars in the world converge for one big action-adventure spectacular, enlivened by (reported) $20 million paychecks and the rare thrill of playing around with fellow titans.